Treatises
Period instrumentalists and scholars rely heavily on the consultation of "primary sources" - materials that date to the actual period in question without any more modern kinds of editing or interpretation. Of particular interest are a large number of treatises and instruction manuals that describe instruments' physical attributes, techniques and use. As a result of scholars' interest, a few of the larger or more famous documents have been republished in facsimile editions. Others, however, have remained frustratingly isolated in various collections around the world.
By following the links below, you may access high quality images of facsimiles from a variety of these sources. Some of the (lengthy) French treatises are not given in their entirety here, but most are readily available in excellent facsimile editions for viola da gamba or cello, published by J.M. Fuzeau. A few of the links below will connect you to Dirk Moelants' website, or to other individuals or libraries. I intend to continue adding materials to this list, so if anyone has specific requests, or if you notice that any of the links have become defunct, please email me. Likewise, if you happen to have materials for anything I have listed but not linked and would be willing to share, I'd be very grateful.
- I - Venezia: Biblioteca Nazionale Marciana: Da Leno, Antonio. Tavola di accordatura per la viola da gamba. (15th century(?))
- Virdung, Sebastian. Musica Getutscht. (Basle, 1511)
- Judenkünig, Hans. Ain schone kunstliche Underweisung auf Lautten und Geygen. (Wien, 1523)
- Agricola, Martin. Musica instrumentalis deudsch. (Wittenberg, 1529/45) English translation
- Gerle, Hans. Musica teutsch. (Nuremberg, 1532)
- Lanfranco, Giovan Maria. Scintille di musica. (Brescia, 1533)
- US - CT: Yale University: Alfonso della Viola. Il modo de sonar il violon... (c.1536)
- Ganassi, Sylvestro. Regola Rubertina. (Venice, 1542)
- Ganassi, Sylvestro. Lettitione Seconda. (Venice, 1543)
- Bermudo, Juan. Declaración de instrumentos musicales. (Osuna, 1549)
- Ortiz, Diego. Trattado sopra glosas... (Rome, 1553)
- Jambe de Fer, Philibert. Epitome Musicale. (Lyons, 1556)
- Maffei, Giovanni Camillo. Delle Lettere. (1562)
- Salinas, Francisco. De musica libri septem. (Salamanca Universidad, 1577)
- Marinati, Aurelio. Somma di tutte le scienze... (Roma, 1587)
- Zacconi, Ludovico. Prattica di musica. (Venice, 1592)
- I - Firenze: Biblioteca Nazionale Centrale: anon. Tavola per l'accordatura delle viole. (16th century)
- I - Bologna: Civico Museo Bibliografico Musicale: Virgiliano, Aurelio. Il Dolcimelo. (c.1600)
- Cerreto, Scipione. Della prattica musica. (Naples, 1601)
- Banchieri, Adriano.L'organo suonarino. (Venice, 1605)
- Agazzari, Agostino/Banchieri, Adriano. Conclusioni nel suono dell'organo. (Bologna, 1609) English & German translation
- Cerone, Pedro. El Melopeo y Maestro. (Naples, 1613)
- Praetorius, Michael. Syntagma Musica vol II. (Wolfenbuttel, 1619)
- Gengenbach, Nikoluas. Musica Nova. (Leipzig, 1626)
- Hizler, D. Newe Musica. (Tubingen, 1628)
- Schutz, Heinrich. Preface to Musicalische Exequien. (Dresden, 1636)
- Mersenne, Marin. Harmone Universelle. (Paris, 1636)
- Maugars, Andre. Reponse Faite a un Curieux... (Paris, 1639)
- Doni, Giovanni Battista. Annotazioni sopra il Compendio della Musica. (Rome, 1640)
- Bonini, Don Severo. Discorsi e Regole sopra la Musica et il Contrappunto. (Firenza, c.1645)
- Kircher, Athanasius. Musurgia Universalis. (Rome, 1650)
- F - Paris, Bib. Ste. Genevieve, Ms. 1070. Trichet, Pierre. Traite des Instruments. (c. 1640)
- Simpson, Christopher. The Division Viol. (London, 1659 & 1665)
- Hirsch, Andreas. Philosophischer Extract. (Schwabisch Hall, 1662)
- Megerle, Abraham. Speculum Musico-Mortuale. (Salzburg, 1672)
- Playford, John. An Introduction to the Skille of Musicke. (London, 1674)
- Mace, Thomas. Musick's Monument. (London, 1676)
- Todini, Michele. Dichiaratione della Galleria Armonica. (Rome, 1676)
- Prinner, Johann Jacob. Musikalischer Schlissel. (Salzburg? 1677) Prinner transcription to modern German.
- I - Ferrara, REm: Regg. E.41: Bismantova, Bartolomeo. Compendio Musicale. (1677)
- De Machy. Pieces de Viole en Musique. (Paris, 1685)
- Rousseau, Jean. Traite de la Viole. (Paris, 1687)
- Danoville, Le Sieur. L'Art de Toucher le Dessus et Basse de Viole. (Paris, 1687)
- Speer, Daniel. Grundrichtiger Unterricht. (Ulm, 1687)
- Falck, Georg. Idea Boni Cantoris. (Nuremberg, 1688)
- Loulie, Etienne. Methode Pour Apprendre a Jouer de la Viole. (Paris, 1690)
- Oxford, Christ Church Library Ms. 1187. "The Talbot Manuscript" (c.1694)
- Muffat, Georg. Forwards to Florilegium Primum, Secundum and Ausserlesene Instrumental Musik. (Passau, 1695, 1698 and 1701)
- Merck, Daniel. Compendium Musicae Instrumentalis. (Augsburg, 1695)
- Benjamin Hely. The Compleat Violist. (London, 1699)
- Janowka, Thomas Balthazar. Clavis ad Thesauram. (Prague, 1701)
- Brossard, Sebastien de. Dictionaire de Musique. (Paris, 1703)
- Fuhrmann, Martin Heinrich. Musicalischer-Trichter (Frankfurt, 1706)
- Mattheson, Johann. Das neu-eroffnete orchestre. (Hamburg, 1713)
- Printz, Wolfgang Caspar. Compendium Musicae. Dresden, 1714
- Mattheson, Johann. Das Beschuste Orchestre. (Hamburg, 1717)
- Weigel, Johann Christoph. Musicalisches Theatrum. (Nurnberg, c.1715)
- Bonanni, Filippo. Gabinetto Armonico pieno d'instromenti sonori. (Rome, 1722)
- US - CT: Yale University:Cousser (Kusser), Johann Sigismund. Commonplace Book. (London? c1723)
- Richelet, Pierre. Dictionnaire de la Langue Francoise. (Paris, 1728)
- Rabassa, Pedro. Guia Para los Principiantes que dessean Perfeycionarse en la Compossicion de la Mussica (c.1738)
- Majer, Joseph Friederich Bernhard Caspar. Museum Musicum. (Schwabisch-Hall, 1732)
- Walther, Johann Gottfried. Musicalisches Lexicon. (Leipzig, 1732)
- Stössel, Johann Christoph and Johann David. Kurzgefasstes Musicalisches Lexikon. (Chemnitz, 1737)
- Eisel, Johann Phillipp. Musicus Autodidacticus. (Augsburg, 1738)
- LeBlanc, Hubert. Defense de la Basse de Viole. (Paris, 1740)
- Grassineau, James. A Musical Dictionary. (London, 1740)
- Corrette, Michel. Methode Theorique et Pratique...de la Viole et le Violoncelle. (Paris, 1741)
- Bonnet, Jacques. Histoire de la music depuis son origine. (Paris, 1743)
- Panerai, Vincenzo. Principj di musica... (Firenze, c.1750)
- Marpurg, Friedrich Wilhemn. Historisch-Kritische Beytrage... (Berlin, 1754, 1755)
- Mozart, Leopold. Versuch einer Grundlichen Violinschule. (Augsburg, 1756)
- Ancelet. Observations sur la musique. (Amsterdam, 1757)
- Haydn, Franz Joseph. Catalogues of Works. c.1765 and 1805
- Vanhal, Johann Baptist. D major Cassation. (mid-1760's)
- Diderot, Denis and Sauveur. Illustrations for Encyclopedie vol 12? (Paris, 1767)
- Rousseau, Jean-Jacques. Dictionnaire de Musique. (Paris, 1768)
- Hoyle, John. Dictionarium Musica. (London, 1770)
- D - Berlin, Geheimes Staatsarchiv Preussischer Kulturbesitz, Forqueray, J.B.A. Lettres au Prince de Prusse. (c.1769)
- Cupis, Francois le jeune. Methode nouvelle et raisonnee (violoncelle). (Paris, 1772)
- Tilliere, Joseph. Methode pour le Violoncelle. (Paris, c.1774)
- Hawkins, Sir John. A General History of the Science
and Practice of Music. (London, 1775)
- Castillon, Frederic de. Supplement to Diderot and d’Alembert’s Encyclopedie. (Paris, 1776)
- Laborde, J.B. de. Essai sur la musique. (Paris, 1780)
- Corrette, Michel. Methode pour Apprendre a Jouer de la Contre-basse. (Paris, 1781)
- Petri, Johann Samuel. Anleitung zur practischen Musik. (Leipzig, 1782)
- Kobrich, Johann Anton. Praktisches Geig-Fundament... (Augsburg, 1787)
- Framery, Nicolas Etienne. Encyclopedie methodique: Arts et metiers. (Paris, 1788)
- Quantz, Johann Joachim. Versuch einer Anweisung die Flote Traversiere. (Berlin, 1789)
- Gehot, Joseph. Complete Instructions for Every Musical Instrument... (London, 1790)
- Gerber, Ernst Ludwig. Historisch-Biographisches Lexicon der Tonkunstler. ( Leipzig, 1790-92)
- Framery, Nicolas-Etienne (with Jérôme-Joseph de Momigny, Pierre-Louis Ginguené). Encyclopedie methodique: Musique. (Paris, 1791)
- Galeazzi, Francesco. Elementi Teorico-pratici di Musica. (Rome 1791)
- I - Bologna: Civico Museo Bibliografico Musicale: anon. Modo, o sia Regola per acompagnare il Basso continuo per la viola da gamba. (18th century (?))
- Koch, Heinrich Christoph. Musikalisches Lexicon. (Frankfurt, 1802)
- Koch, Heinrich Christoph. Kurtzgefastes Handworterbuch der Musik. (Leipzig, 1806)
- Hause, Wenzel. Kontrabass-Schule. (Prague, 1807)
- Choron, Albert and Fayolle, Francois. Dictionnaire de Musiciens. (Paris, 1811)
- Busby, Thomas. A complete dictionary of music. (London, 1811)
- Nicolai, Dr. Das Spiel des Contrabasses. ( AMZ, Leipzig, April 1816)
- Hause, Wenzel. Kontrabass-Scule. (Dresden 1818)
- Asioli, Bonifazio. Elementi per il Contrabbasso… (Milan 1820)
- Sandys, W. and S.A. Forster. The history of the violin and other instruments played with the bow. (London 1824)
- Cäcilia, Ein Zeitschrift fur die musikalische Welt. Mainz, vol. 4 (1826) p. 228 and vol. 8 (1828) p. 255
- Miné, Jacques Claude Adolphe. Methode de Contre-Basse. (Paris, 1827)
- Sundelin, Augustin. Die Instrumentierung fur das Orchester. (Berlin, 1828)
- Wettengel, Gustav Adolf. Lehrbuch zur Anfertigung un Reperatur der Geigen. (Ilmenau, 1828)
- Hause, Wenzel. Methode complete de Contrabasse. 2 vols. (Mainz, 1829)
- Fröhlich, Franz Joseph. Contrebass-Schule in Vollstandige Theoretische-praktische Musikschule. (Bonn, 1830)
- Gianelli, Pietro. Dizionario della musica. (Venice, 1830)
- D’Almaine Tutor. Standard tutor for the Double Bass. Translated from the celebrated treatises of Adolphe Mine and Herr Frolich. (London, c.1830)
- Schilling, Gustav. Encyclopädie der gesammten musikalischen Wissenschaften. (Stuttgart, 1835)
- Jeitteles, Ignaz. Aesthetisches Lexikon. (Wien, 1835)
- Durier, A. Méthode complète de Contrebasse. (Paris, 1836)
- Albrechtsberger, Johann Georg. Sammtliche Schriften. (Vienna, 1837)
- Kastner, Jean Georges. Traite generale d’instrumentation. (Paris 1837)
- Lichtenthal, Peter. Dictionnaire de musique – a French translation of Lichtenthal’s Dizionario e Bibliografia della musica (Milan, 1826) by Dominique Mondo. (Paris, 1839)
- Slama, Anton. Contrabass-Schule in 36 leicht fasslichen und grundlichen Lectionen. (Vienna, 1839)
- Fétis, F. J. Biographie universelle des musiciens. 5 (Paris 1839) and 4 (Paris 1866)
- Berlioz, Hector. Traite des instruments et d’orchestration modernes. (Paris, 1843)
- Rossi, Luigi. F. and Anglois, Giorgio. Methodo per Contrabasso d’orchestra. (Torino, 1846)
- Gassner, Ferdinand Simon. Universal-Lexikon der Tonkunst. (Stuttgart, 1849)
- Hindl, Johann. Der Contrabass-Lehrer. (Vienna 1854)
- Labro, Charles. Methode de contrebasse. (Paris, 1860)
- Bottesini, Giovanni. Metodo di Contrabasso. (Milan c.1865)
- Verrimst, Victor-Frederic. Solfege du Contre-Bassiste. (Paris, [1865?])
- Friedheim, John. Instructions for Playing the Double or Contrabass. (Boston, 1870)
- Simandl, Franz. Neueste Methode des Contrabass-Spiels in 3 vols. (Vienna, 1874, 1875, 1890, 1891)
- Sturm, Wilhelm. Practische Contrabass-Schule op. 19/20. (Andre, 1877)
- Brockhaus, F.A. Conversations-Lexikon: Volume 16. (Leipzig, 1887)
- Forsythe, Cecil. The orchestration. (London ,1926)
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